Friday, November 11, 2016

Creative Writing

Last project: children's literature.  

While we have ventured into several different writing areas, we have not ventured into children's lit.  Considering the direction of some of our writing, that is no small surprise.  However, for this last project, I'd like you to research the following, sample the texts, and form some ideas you are willing to try for children's literature.  

* Shel Silverstein, Dr. Seuss--what inspired them? 
* Judy Blume--what did she write? How has her work been used throughout the years? 
* Peggy Bacon--how does she capture the culture of her era?  How much does her book, The Ghost of Opalina, sell for on Ebay?  
* Research children's books by celebrity authors--Madonna, TV hosts, etc.  What do they write about?  

* If you were to write a children's book, what need would it serve?  What approach would you use to send that message/address the need? 



Manifesto
30 Points As you refine your manifesto for possible publication, consider the following: 
a) Is your objection/objective clear?  If applicable, are the conditions to which you object clear?
b) Are your values clear?  Are there actual examples of behaviors that might reflect those values? 
c) Is there a clear prescription for how one should live or think according to the objective you have chosen?
d) Poetic elements!  How have you made use of the following?
--arrangement
--figurative language
--symbolism
--other poetic devices

This assignment is particularly challenging, since you are creating a document that should read like a poem.  Feel free to re-examine the samples from yesterday's website, and consider Jessica's sample as well. 


Acrostic Writing

https://www.youngwriters.co.uk/types-acrostic



Wednesday, November 2, 2016

Creative Writing--Manifesto Material


Today you will begin the draft work for your own manifesto.  You will visit the link below, and work your way through steps 1- 6.  For each step, you should have several items, between 5 and 10.  Also, there are two beautiful samples that I want you to consider, as they make this experiment seem like a far less intimidating feat. 

 
 https://quinncreative.wordpress.com/2013/08/28/write-your-own-manifesto/


Besides the two students samples online, I have another sample from one of your fellow writers.


The Value of You

Endure the painful discrimination. Apply the laws of segregation.

Judge them by their genetics. Don't accept diversity.

And you will have burrowed yourself deep in the ground, abandoning your social senses.

The world will sweep by you, and you will be left in the dust.

 

Embrace the ever-present evolution. Support the minorities.

Love the individual differences.  Marry a different race. Befriend

the handicapped. Ignore the comments. Praise oddities. All men are created

equal. And love is what makes us whole.

 

Don't ask for opinions. Just be yourself. Encourage diversity. Be the moral

shoulder to lean on. Say the best kind of person is all that live. Find

beauty in the defected. Call a disability a beauty mark. Join hands and

be the strength for others to stand. Love everyone as if the day is their last.

Negative words are a short-term fix. Positive words are imprinted within us. Think of their

mother and how she feels about the pain and seclusion of her child.

 

Breathe the air and be as it is: free to touch all and reserved for none. Let no

one coerce you with their values. Take advice and do the opposite

of the expected. Blow their minds and souls with unconditioned emotion.

Respect and uniformity are separate. The sun shines on all of us, no matter who we are.

 

Monday, October 31, 2016

English II ACT I Analysis


English II

A Raisin in the Sun Act I, Scene one

20 points

 

Respond fully.

a)                 What is the significance of the window?

b)                What is the significance of the eggs, from the time Ruth prepares them to the time Walter curses them?

c)                 Compare Ruth’s attitude concerning money to Walter’s attitude in giving Travis a dollar. 

d)                Walter smokes a cigarette before breakfast.  From where does he get the cigarette?  Why is that significant? 

e)                 What impression of Walter should we have? Beneatha uses an allusion in reference to Walter.  (“prophets. . . wilderness. . . swamps”)

What is this an allusion to?  What is Beneatha suggesting by it?

f)                  As soon as we see her, Mama is associated with an object.  What is that object and why is it, and Mama’s association with it, significant?

g)                 The check now has different meaning for different characters.  What does each want to do with it?

h)                Why do we get the backstory concerning Mr. Younger?  What does it help us understand about other characters and the plot?

i)                   Why do Ruth and Mama treat Beneatha as they do?  Is Beneatha truly as childish as they seem to think she is? What other Biblical references does Beneatha make? Why do they offend Mama?

j)                   George Murchison and serve as a foil for Walter.  So far, what contrasts can we draw between Walter and the other men? 

 

Scene ii

a)     Ruth is pregnant.  How can we infer that she is considering terminating her pregnancy? Why do you think the playwright feels that this part of the plot is necessary? 

b)    Asagai speaks of assimilationism.  What is assimilationism?  What are some modern examples of it?

What is the irony of Mama saying, “I don’t think I never met no African before.” 

c)     In this scene, Walter says, “Money is life.”  What do you think he means by this?  How would Asagai react to this statement?  What about George Murchison?

d)    How does the conflict between Walter and Ruth escalate? 

e)     Describe Mama’s reaction to receiving her husband’s life insurance policy.  Why is this a sad moment for her?  What do you predict she will do with the money? 

f)      How are Walter’s definition of being a man and Mama’s definition of being a man different?  How does Mama’s sense of self-worth compare to Walter’s.

g)     Reconsider the poem “Harlem,” found in the first few pages of the text.  Consider the varying descriptions of a dream deferred, or a dream put on hold.  Which of those descriptions seems to be particularly fitted to what has happened in the play so far?

ACT II





Act II, scene i, page 76


        a)    How does this scene provide comic relief?

b)   What is the significance of Beneatha dancing to Nigerian music, and calling the blues music assimilationist music?

c)    Walter and George finally interact, and we see contrasts.  Contrast their attitudes concerning money, manhood, and achievement/privilege. Use a T-chart to do this.

d)   There are a few allusions used.  Research the reference to Uncle Tom. What does it have to do with assimilation? (pg 81)

e)    Research George’s reference to Prometheus, as he describes Walter.  What was George trying to suggest about Walter?  (pg 86)

f)      Why can’t Walter be happy about Mama purchasing the house?  What does the represent to him? 

g)    We see Ruth’s role as the peacekeeper.  How does she do this, and what does it say about her as a human being? 

  Vocabulary: eccentric (80), oppressive (81), shrewd (84) what do these terms mean? Identify synonyms for them.
 
Scene ii:

a)    On pages 97-90 Mama’s attitude toward Beneatha is much different.  How has her attitude changed?  What has caused this? What is the author trying to suggest?

b)   Mama makes a decision to trust Walter (106-108) with his investment.  In his joy, Walter promises Travis the world.  What is Walter’s description of their future?  How realistic is his prediction?  What does this suggest about what Walter truly wants?  Does it reveal his understanding of how to run a business?

 

 


 

 


 

 


 

 

Tuesday, October 25, 2016

Bonus Point Opportunities: Deadlines

* Monday 10/31 Veteran's Day Speech--My Responsibility to America

* “Absolutely Murder” – a murder mystery play - on November 1st and 2nd at 6:00 in the auditorium.  The cost for admission is $3.00 for students and $5.00 for adults.

* Friday, 11/4 Video--conduct an interview with the ballerina from "Harrison Bergeron."  If she could explain what life was like in this society, what would she say?  What would she say about her reason for joining Harrison on the stage?
*Friday 11/4  Create an artistic representation for one of the themes explored in "Harrison Bergeron."
* Wednesday, 11/9 Decorate my door for Veteran's Day, using a literary and patriotic theme. (Only a few 3 or 4 can do this.)  See me to make arrangements about when this can by done.   

Wednesday, September 21, 2016

McCandless Search

As we have become familiar with Christopher McCandless, we have asked a number of questions about his personality and his experiences.  For each of the sources listed, complete the following:

a) Record the author, title, publication, and date.  We will use this for our Works Cited list later.
b) Comment on the appropriateness of the source.  How do you know the source is valid?  * Hint--one of the sources is not the most legitimate.  It is your job to figure out why.
c) Per source, list 5-10 details that help you understand McCandless and his adventures. 

d) If you aren't sure what information is worth recording,  use, refer to this list of questions we compiled in class:
 
How long was his adventure?
What did he do to survive when he was away from home?
What about his parents--what did they do?
How did he stay determined?
What was the belt about?
Where did the idea for his adventure come from?
Did he know he was going to die?
Why did he burn his stuff?
What friends did he make?
How did his family feel about it?
Was he mentally unstable?
Who did he notify about the trip?
Did he expect to survive Alaska?
Was he mentally unstable?

Sources:
 
http://www.farnorthscience.com/2007/10/13/media-watch/into-the-wild-the-false-being-within/
http://www.christophermccandless.info/
http://www.newsweek.com/decades-after-christopher-mccandless-went-wild-his-sister-tells-full-story-284347
https://www.youtube.com/watch?v=4ZaRxPsk_M0
 

Wednesday, May 4, 2016

O BROTHER!

As we begin our literary analysis of O Brother Where Art Thou, we need to make ourselves familiar with its literary background.  The following questions will help you locate information that will establish such a background.  You may work with a partner for this research.


a) This film has a color combination and actual scenes that are said to be reminiscent of Dorothea Lange's Depression era photography.  Locate two sources that actually comment on such a comparison.  Identify your sources and their commentary. 


b)  OBWAT has several parallels to the Odyssey.  Investigate these parallels, using reputable sources.  Share ten points of comparison. 


c) Besides being inspired by Homer's story, the film also parallels The Wizard of OZ and an even older film, Sullivan's Travels (also a possible reference to Jonathan Swift's Gulliver's Travels). How is OBWAT patterned after those films?


d) Use the KYVL or a university site to locate a scholarly article regarding the film.  Briefly summarize the article's commentary.


e) How did the film do at the Academy Awards?  Report.  


Enjoy!

Wednesday, April 6, 2016

Help with tone.



This might help you more specifically identify the author's tone. 
 

Friday, April 1, 2016

Sweat--Honors Only


Analysis: “Sweat” By Zora Neale Hurston

1)     Examine the author’s use of symbolism by listing 3 objects or abstract nouns associated with Sykes or Delia.  How does the author use those symbols to characterize Sykes and Delia?

2)     Dialect makes this story.  Based on their dialect, what demographic information can we determine about the characters?  List three things.

3)     List two ways the narrator explicitly and indirectly develops Delia’s character.   (4)

4)     List two ways the narrator explicitly and indirectly develops Sykes character. (4)

5)     The text is loaded with irony.  Identify an example of each form:  dramatic, verbal, and situational.

6)     The text contains many allusions, some of them Biblical.  Identify several (3).  What comparison is implied with each?

7)     When we first met Delia and Sykes, we were amused at their dialect.  The author, Zora Neale Hurston, is renowned for writing feminists texts, as well as texts that show understanding of domestic issues in general, and issues specific to African Americans.  How does Hurston make Delia a respectable person?

8)     Syntax, or deliberate choice of sentence structure, is important to the mood and meaning of a text.  Read this portion from the text:

 "Ah wantah cross Jurden in uh calm time," she was singing again. The mood of the "love feast" had returned. She threw back the lid of the basket almost gaily. Then, moved by both horror and terror, she sprang back toward the door. There lay the snake in the basket! He moved sluggishly at first, but even as she turned round and round, jumped up and down in an insanity of fear, he began to stir vigorously. She saw him pouring his awful beauty from the basket upon the bed, then she seized the lamp and ran as fast as she could to the kitchen. The wind from the open door blew out the light and the darkness added to her terror. She sped to the darkness of the yard, slamming the door after her before she thought to set down the lamp. She did not feel safe even on the ground, so she climbed up in the hay barn.

 

What does the syntax do for the mood of the text?  How does it help us understand Delia’s experience?

9)     How do plants, the weather, and the final sunrise serve as symbols for the text?

 

 

 

Wednesday, March 30, 2016

A Review of Argument

For the next day or so, we want to review argument.  We will use the text, "The Border Patrol State," by Leslie Marmon Silko.  To prepare for the carousel activity, complete the following:


Border Patrol State:  A Review of Argument

1)         As you read, make note of the author’s use of the rhetorical appeals.  Provide three examples of each:

Logical appeal

Emotional appeal

Ethical Appeal

2)         The author uses several of the SMARTIES strategies.  Identify several examples she uses, but do not uses those you may have mentioned for the rhetorical appeals.

3)         Can you identify the author’s thesis?  Describe the organization she uses.  Overall, why is it effective?

4)         Go to YouTube, and watch The Border Fence on PBS Now, Part 1. https://www.youtube.com/watch?v=kPzhmaWJSWM

First, respond to the contents of the video.  Next, compare and contrast the viewpoints presented in the video with those presented by the author of “The Border Patrol State.”
 

 

 

Tuesday, March 22, 2016

The World's Biggest Membrane

Here's a link to the text: https://www.dropbox.com/s/sht0btj37swxmfq/The%20World.pdf?dl=0




The World’s Biggest Membrane

1)      This text is somewhat dense.  Look at the author’s use of organization.  Which combination best reflects the author’s use of organization?
a)      Description, cause /effect, sequence                 
b) Analogy, description, problem/solution
c)      Example, description, problem/solution        
 d) Description, sequence, cause/ effect
Support your answer.

2)      In paragraphs 9-12, the author’s tone shifts.  Use one of the tone words from the blog.  What makes you choose that word?  Support it with your statements from the text (4).

3)      In your own word(s), what is the world’s biggest membrane?

4)      The author likes (compares) the cell to the world’s biggest membrane.  List several ways (4) in which they are similar. 

5)      Describe the author’s diction, or word choice.  Is it more colloquial or technical? Is it solemn?

6)      Once again, we have a text that does not have a lot of visual appeal.  What would you add, and where? Finally, why?  Choose 3 text features.

 

High Flight
   
-by P/O John Gillespie Magee RCAF

Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward I've climbed, and joined the tumbling mirth
Of sun-split clouds, - and done a hundred things
You have not dreamed of - wheeled and soared and swung
High in the sunlit silence. Hov'ring there,
I've chased the shouting wind along, and flung
My eager craft through footless halls of air....

Up, up the long, delirious, burning blue
I've topped the wind-swept heights with easy grace
Where never lark, nor even eagle flew -
And, while with silent, lifting mind I've trod
The high untrespassed sanctity of space,
Put out my hand, and touched the face of God.

 

1)      This poem, while a completely different text from the article, is similar to the tone seen in paragraphs 9-12.  Describe that similarity.  What phrases from the poem are most indicative of tone?

2)      Besides tone, how is the poem similar in the ideas explored?

3)      Does the poem qualify as a sonnet?  What are the requirements of a sonnet?  Analyze the poem for iambic pentameter and rhyme scheme.

4)      Describe the word choice in this poem.  How is it different from the article? As you think about this, consider the difference between sensory language and technical language.


Monday, March 21, 2016

Spring 2016 Honors Project


English II Honors

Independent Project

Spring 2016                                                                         Due: May 16, Monday

This spring, you have a number of options.  As we have been limited in creativity this semester, I would like for you to have some fairly creative options:

a)   Think of someone whom you admire—a character, a celebrity, athlete, writer, etc.  Research that person—via interviews, texts, etc. 

·       Provide a works-cited list of the resources you used, as well as a description of the kinds of information you found from that source.

·       In honor of the person whom you admire, compose a monologue poem expressing some aspect of their life, or compose a bio poem. 

·       Use this link for your sample template and poem.  Your poem should be at least as elaborate as the sample included.  Feel free to experiment with poetic elements.  http://www.readwritethink.org/files/resources/lesson_images/lesson398/biopoem.pdf

 

b)  This year, we have examined ideas or texts that tend to leave us thinking.  Consider some of the texts we have read.  If I asked you to present your understanding of that text in the form of art, what would you create?  Think about the text or idea.  Using the artistic medium of your choice, create a piece representing either a question, statement, or other understanding of the text.  With that art, turn in a 150-200 word summary of how the art represents your experience with the reading.

 

c)    (Opportunity for collaboration.) Last semester, you seemed to enjoy reading A Raisin in the Sun, as well as the small scenes from Shakespeare’s A Midsummer Night’s Dream.   Write a mini-play of your own including dialogue, stage directions, and narration.  Your play should include a symbol as well as thorough characterization.   Act out the scene, either in front of the class, or on film.  This cannot be something you might have done for another class.

 

d)   Grab your instruments!  Compose a song reflecting some theme or idea explored this year.  It’s okay if you want to borrow a few chords, but keep it as authentic as possible. Collaborate with a partner to add music and voice!  Consider use of the poetic elements.

 

e)   Several of you have expressed an interest in looking at a historical film and comparing its presentation of a historical event to the actual event as it has been documented.  If you choose this option, you will not have a partner.  You will also need my approval and your parents’/guardians’ before doing the study. Your work will include the following:

·       A journal of observations as you watch the film.  What is your reaction to key scenes? (4 entries)

·       Your research, using at least two sources and how their presentation of events either counters or confirms what you saw in the film.  Include proper MLA Works Cited entries for these two sources.   

·       A reflection concerning the changes and why you think they were made.  Obviously, the purpose of film is different than the purpose of a novel.  Why must a story be reformed for a film? 

Rubric:  40 points

Your work will be scored to the degree to which it shows the following characteristics:

Authenticity—Your work is your own, and does not appear to have been borrowed from any source.  There is no evidence of plagiarism.  Plagiarism warrants a score of zero.

Quality—Your work has been designed, created, and refined.  It is not rough or shabby in quality, and has been checked for errors. Writing has been proofread for sense, and explanations are not rough.   

Depth—Your work is not hastily thrown together nor is it elementary in level of thought.  There is evidence of creativity, consideration and application. The writing components of your work are thorough and show evidence of thinking beyond surface-level or recall. 

Completion: Your work has each of the items associated with your choice of options.

 

 Please understand: 

·       I cannot accept this assignment late.  It will be crunch time and I need a reasonable window of time in which to grade them. 

·       Please submit your work electronically, via OneDrive, unless you are going for the art project.    I do not want a paper copy.